{"product_id":"french-line-engravings-of-the-late-xviii-century","title":"FRENCH LINE ENGRAVINGS OF THE LATE XVIII CENTURY.","description":"\u003cp\u003eLondon. Lawrence and Jellicoe, Ltd. 1910.\u003c\/p\u003e\n\u003cp\u003eDe 32x25 cm. Com xxv, 112 pÃ¡gs. e 164 fÃ³lios extratexto impressos os primeiros dois no verso e os restantes 162 sÃ³ pela frente.\u003c\/p\u003e\n\u003cp\u003eEncadernaÃ§Ã£o do editor inteira em pele verde, um pouco cansada e evidenciando sinais de manuseamento, com nervos nas lombadas e ferros a ouro, rolados em esquadrias nas pastas, o titulo gravado a ouro e os nomes dos autores na pasta anterior. Na lombada ferros rolados em esquadrias nas casas e tÃ­tulo, autores e data gravados a ouro. Corte de folhas dourado.\u003c\/p\u003e\n\u003cp\u003eProfusamente ilustrado com uma gravura antes do frontispÃ­cio (Les Adieux desenhado por Moreau e gravado por Robert de Launay) nÃ£o constante da lista de gravuras apÃ³s o frontispÃ­cio. Esta primeira gravura Ã© um conjunto de dois fÃ³lios, o primeiro com a gravura e o segundo com tÃ­tulo e autor ambas impressas no verso. Os restantes fÃ³lios sÃ£o em conjuntos de dois, o primeiro com tÃ­tulo e autor impresso e o segundo com a gravura, com as 81 gravuras constantes da jÃ¡ mencionada lista.\u003c\/p\u003e\n\u003cp\u003eEdiÃ§Ã£o limitada a 151 exemplares dos quais 150 para venda sendo este o exemplar nÂº 143.\u003c\/p\u003e\n\u003cp\u003eExemplar com ex-libris no interior da pasta anterior. Leves marcas de acidez prÃ³pria da qualidade do papel.\u003c\/p\u003e\n\u003cp\u003eColecÃ§Ã£o de gravuras francesas, todas da segunda metade do sÃ©culo XVIII e que sÃ£o uma amostra do que de melhor se fazia nesta Ã¡rea naquela Ã©poca, perÃ­odo que viu o reinado de Luis XVI e Maria Antonieta como rei e rainha de FranÃ§a e tambÃ©m a RevoluÃ§Ã£o Francesa.\u003c\/p\u003e\n\u003cp\u003eEsta compilaÃ§Ã£o de trabalhos levou cerca de trÃªs anos a fazer, tempo esse que os autores necessitaram para percorrer as melhores colecÃ§Ãµes de que tinham conhecimento, trabalho que, segundo os prÃ³prios, teria sido impossÃ­vel sem a prestimosa colaboraÃ§Ã£o dos donos dessas colecÃ§Ãµes, bem como dos directores e assistentes de vÃ¡rios museus por essa Europa fora. Pode-se consultar os respectivos nomes na nota preliminar que antecede a obra.\u003c\/p\u003e\n\u003cp\u003eH.W. Lawrence faz notar que a amostra salienta que a maior parte desse trabalho Ã© atribuÃ­do a meia dÃºzia de autores (Lavreince, Baudoin, Moreau le Jeune, Augustin de St. Aubin, Fragonard e Freudeberg), gravados por 9 artistas (Nicolas de Launay, Robert de Launay, Choffard, Ponce, Simonet, Martini, Helmam, Dequevauviller e Augustin de St. Aubin).\u003c\/p\u003e\n\u003cp\u003e[EN] 32x25 cm. xxv, 112 pp. and 164 folios hors-text, the first two printed on the verso and the remainder 162 just in the front.\u003c\/p\u003e\n\u003cp\u003eBinding: Editorâ€™s full green calf, slightly worn and with signs of handling, with raised bands and gilt tools on spine. Title, date, and names of the authors in gold on front board framed by gilt fillet.\u003c\/p\u003e\n\u003cp\u003eProfusely illustrated with an engraving before the frontispiece (Les Adieux drawn by Moreau and engraved by Robert de Launay) not on the list of engravings after the frontispiece. This first engraving is a set of two folios, the first with the engraving and the second with the title and author both printed on the back. The remaining folios are in sets of two, the first with title and author printed and the second with the engraving, with the 81 prints in the already mentioned list.\u003c\/p\u003e\n\u003cp\u003eEdition limited to 151 copies of which 150 are for sale, this copy being no. 143.\u003c\/p\u003e\n\u003cp\u003eCopy with ex-libris inside the previous folder. Light acidity marks due to the quality of the paper.\u003c\/p\u003e\n\u003cp\u003eA collection of French prints, all from the second half of the 18th century and which are a sample of the best that was done in this area at that time, a period that covers the reign of Louis XVI and Marie Antoinette as king and queen of France, and also the French Revolution.\u003c\/p\u003e\n\u003cp\u003eThis compilation of works took about three years, time that the authors needed to go through the best collections they were aware of, a work which, according to them, would have been impossible without the helpful collaboration of the owners of these collections as well as the directors and assistants of various museums throughout Europe. Their names can be found in the preliminary note preceding the work.\u003c\/p\u003e\n\u003cp\u003eH.W. Lawrence points out that this sample highlights that most of the works are from just half a dozen of authors (Lavreince, Baudoin, Moreau le Jeune, Augustin de St. Aubin, Fragonard and Freudeberg), engraved by 9 artists (Nicolas de Launay, Robert de Launay, Choffard, Ponce, Simonet, Martini, Helmam, Dequevauviller, and Augustin de St. Aubin).\u003c\/p\u003e","brand":"Garimpo dos Livros","offers":[{"title":"Default Title","offer_id":58298817773900,"sku":"2011NM006","price":4800.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1066\/5617\/0316\/files\/2011NM006_1.jpg?v=1785869349","url":"https:\/\/garimpodoslivros.com.br\/products\/french-line-engravings-of-the-late-xviii-century","provider":"Garimpo dos Livros","version":"1.0","type":"link"}