{"product_id":"notas-sa-bre-a-arte-chinesa","title":"NOTAS SÃ”BRE A ARTE CHINESA.","description":"\u003cp\u003eTip. Mercantil de N. T. Fernandes \u0026amp; Filhos. Macau. 1940.\u003c\/p\u003e\n\u003cp\u003eLivro oblongo de 19,5x27 cm. Com 146, [ccxxiv] pÃ¡gs. Cartonagem ilustrada do editor. Profusamente ilustrado no texto com gravuras, e em extratexto com 524 fotografias e reproduÃ§Ãµes de obras de arte chinesa, contendo inÃ©ditos da colecÃ§Ã£o do Dr. Pedro Barreiros, impressas em papel couchÃ©.\u003c\/p\u003e\n\u003cp\u003eExemplar com pequeno dano no pÃ© da lombada.\u003c\/p\u003e\n\u003cp\u003eA obra insere-se na promoÃ§Ã£o das manifestaÃ§Ãµes e produÃ§Ãµes artÃ­sticas coloniais da ExposiÃ§Ã£o do Mundo PortuguÃªs de 1940. Fornece toda a descriÃ§Ã£o cronologica da arte chinesa e das suas principais produÃ§Ãµes em cada disnastia. O trabalho do autor tem o proposito de servir de guia ao coleccionador de arte chinesa atravÃ©s da descriÃ§Ã£o das marcas dos fabricantes, nomeadamente da dinastia Ming e Tsing; das marcas de sala e marcas de sala do palÃ¡cio; marcas para exprimir bons desejos e felicitaÃ§Ãµes; os simbolos chineses e sua interpretaÃ§Ã£o; as preciosidades e os emblemas budistas; descriÃ§Ã£o dos objectos de bronze, de vidro, de jade, de pintura, e ainda: caligrafia, esmalte, gravuras, talha, laca, tecidos, brocados e bordados, etc. No final da obra reproduzem-se em fotografia uma parte da colecÃ§Ã£o de 10.000 objectos que o autor reuniu durante 50 anos.\u003c\/p\u003e\n\u003cp\u003eEstudo de vulgarizaÃ§Ã£o histÃ³rica e artÃ­stica de grande interesse para coleccionadores e antiquÃ¡rios, precedido de uma pequena notÃ­cia biogrÃ¡fica sobre a figura do seu autor, com algumas fotografias e outros documentos ilustrativos da sua vida em Macau e em Pequim, bem como da sua obra. Consagrada ao arrolamento e descriÃ§Ã£o circunstanciada dos principais ramos da arte chinesa - cerÃ¢mica, bronze, jade, pintura, caligrafia, escultura, gravura, esmalte, laca, bordado e mobÃ­lia - das suas origens, caracterÃ­sticas e principais fabricantes, distinguindo Ã©pocas de produÃ§Ã£o de maior e menor esplendor.\u003c\/p\u003e\n\u003cp\u003eAs notas sobre cerÃ¢mica - monocromos e policromos - que ocupam a maior parte da obra, sÃ£o valorizadas por incluÃ­rem recolhas dos principais motivos decorativos, marcas (de data, de sala, do fabricante ou fÃ¡brica, exprimindo bons desejos, louvores, entre outros) e sÃ­mbolos em uso nas porcelanas. Reproduz em anexo uma selecÃ§Ã£o anotada de peÃ§as escolhidas de entre as 10.000 que o autor, Vicente Jorge, coleccionou ao longo de 50 anos.\u003c\/p\u003e\n\u003cp\u003eJosÃ© Vicente Jorge (Freguesia de SÃ£o LourenÃ§o, Macau, 1872 â€• Lisboa, 1948), coleccionador de arte que mostra a sua perÃ­cia neste autÃªntico catÃ¡logo de arte chinesa. Frequentou o SeminÃ¡rio Diocesano e concluiu a formaÃ§Ã£o na Escola de IntÃ©rpretes da RepartiÃ§Ã£o do Expediente SÃ­nico, onde adquiriu conhecimentos de chinÃªs, inglÃªs, francÃªs, HistÃ³ria, Literatura, Filosofia e Arte Chinesa. Ingressou na RepartiÃ§Ã£o do Expediente SÃ­nico em 1890, exercendo funÃ§Ãµes como intÃ©rprete e tradutor, tendo igualmente sido destacado para a LegaÃ§Ã£o de Portugal em Pequim.\u003c\/p\u003e\n\u003cp\u003eTransformou a sua mansÃ£o num verdadeiro museu, reconhecido como um dos mais importantes espaÃ§os privados de arte chinesa em Macau. ApÃ³s a Segunda Guerra Mundial, grande parte da coleÃ§Ã£o foi vendida e o restante espÃ³lio distribuÃ­do pelos seus dez filhos apÃ³s a sua morte, levando Ã  sua fragmentaÃ§Ã£o. A casa foi vendida em 1948 e, depois de retirada a coleÃ§Ã£o, deixou de funcionar como casa-museu, sendo posteriormente demolida. Apesar da proposta para a transformar num museu pÃºblico ter sido recusada pelo Governo PortuguÃªs, e de uma posterior tentativa dos netos para criar uma casa-museu em Macau, ambas as iniciativas acabaram por nÃ£o se concretizar.\u003c\/p\u003e\n\u003cp\u003eFoi professor de lÃ­ngua sÃ­nica no Instituto Comercial anexo ao Liceu de Macau e, posteriormente, solicitador da comarca de Macau. Foi um destacado tradutor-intÃ©rprete que chegou a ser cÃ´nsul-geral de Portugal em CantÃ£o, tendo desempenhado, enquanto chefe do Expediente SÃ­nico, a funÃ§Ã£o de mediador durante momentos decisivos da histÃ³ria de Macau e do Mundo, nomeadamente a IÂª Guerra Sino-Japonesa (1894-1895), a Revolta dos Boxers (1898-1901), a implantaÃ§Ã£o das repÃºblicas portuguesa (1910) e chinesa (1911) e a IÂª Guerra Mundial (1914- 1918). Dedicou-se ainda ao estudo das relaÃ§Ãµes luso-chinesas e destacou-se como coleccionador de arte chinesa, sendo agraciado com o grau de Comendador da Ordem Militar de Cristo em 1926. Publicou, entre outras obras, San-Tok-Pun â€“ Novo Methodo de Leitura (1907â€“1908) e Notas sobre a Arte Chinesa (1940).\u003c\/p\u003e\n\u003cp\u003e[EN] Oblong book, 19.5 Ã— 27 cm. 146, [ccxxiv] pp. Publisherâ€™s illustrated cardboard hardback. Richly illustrated throughout the text with engravings, and in the appendix with 524 photographs and reproductions of Chinese artworks, including previously unpublished items from the collection of Dr Pedro Barreiros, printed on glossy paper.\u003c\/p\u003e\n\u003cp\u003eCopy with minor damage to the foot of the spine.\u003c\/p\u003e\n\u003cp\u003eThis work forms part of the promotion of colonial artistic expressions and productions at the 1940 Portuguese World Exhibition. It provides a comprehensive chronological account of Chinese art and its major works from each dynasty. The authorâ€™s work is intended to serve as a guide for collectors of Chinese art through its description of manufacturersâ€™ marks, particularly from the Ming and Qing dynasties; workshop marks and imperial workshop marks; marks expressing good wishes and congratulations; Chinese symbols and their interpretation; Buddhist relics and emblems; descriptions of bronze, glass and jade objects, as well as paintings; and furthermore: calligraphy, enamel, engravings, woodcarvings, lacquerware, textiles, brocades and embroidery, etc. At the end of the book, photographs are reproduced showing part of the collection of 10,000 objects that the author has assembled over 50 years.\u003c\/p\u003e\n\u003cp\u003eA study of historical and artistic popularisation of great interest to collectors and antique dealers, preceded by a brief biographical note on the author, with some photographs and other documents illustrating his life in Macao and Beijing, as well as his work. Dedicated to the cataloguing and detailed description of the main branches of Chinese art â€“ ceramics, bronze, jade, painting, calligraphy, sculpture, printmaking, enamel, lacquer, embroidery and furniture â€“ covering their origins, characteristics and leading manufacturers, and distinguishing between periods of greater and lesser splendour.\u003c\/p\u003e\n\u003cp\u003eThe notes on ceramics â€“ both monochrome and polychrome â€“ which make up the bulk of the work, are of particular value as they include a collection of the main decorative motifs, marks (including dates, room marks, manufacturerâ€™s or factory marks, as well as expressions of good wishes and praise, amongst others) and symbols used on porcelain. Attached is an annotated selection of pieces chosen from among the 10,000 that the author, Vicente Jorge, has collected over the course of 50 years.\u003c\/p\u003e\n\u003cp\u003eJosÃ© Vicente Jorge (Parish of SÃ£o LourenÃ§o, Macau, 1872 â€“ Lisbon, 1948), an art collector who demonstrates his expertise in this authentic catalogue of Chinese art. He attended the Diocesan Seminary and completed his training at the School of Interpreters of the Chinese Affairs Department, where he acquired knowledge of Chinese, English, French, history, literature, philosophy and Chinese art. He joined the Chinese Affairs Office in 1890, working as an interpreter and translator, and was also seconded to the Portuguese Legation in Beijing.\u003c\/p\u003e\n\u003cp\u003eHe transformed his mansion into a veritable museum, recognised as one of the most important private venues for Chinese art in Macau. After the Second World War, a large part of the collection was sold, and the remainder was divided amongst his ten children following his death, leading to its fragmentation. The house was sold in 1948 and, once the collection had been removed, it ceased to function as a house-museum and was subsequently demolished. Although a proposal to turn it into a public museum was rejected by the Portuguese Government, and there was a subsequent attempt by his grandchildren to establish a house-museum in Macau, neither initiative ultimately came to fruition.\u003c\/p\u003e\n\u003cp\u003eHe was a teacher of Chinese at the Commercial Institute attached to the Macau Liceum and, later, a solicitor for the district of Macau. He was a distinguished translator and interpreter who went on to become Portugalâ€™s Consul-General in Guangzhou; whilst head of the Chinese Affairs Office, he acted as a mediator during decisive moments in the history of Macau and the world, notably the First Sino-Japanese War (1894â€“1895), the Boxer Rebellion (1898â€“1901), the establishment of the Portuguese Republic (1910) and the Chinese Republic (1911), and the First World War (1914â€“1918). He also devoted himself to the study of Sino-Portuguese relations and distinguished himself as a collector of Chinese art, being awarded the rank of Commander of the Military Order of Christ in 1926. His published works include, amongst others, \u003cem\u003eSan-Tok-Pun â€“ Novo Methodo de Leitura (A New Reading Method )\u003c\/em\u003e (1907â€“1908) e \u003cem\u003eNotas sobre a Arte Chinesa (Notes on Chinese Art )\u003c\/em\u003e (1940).\u003c\/p\u003e\n\u003cp\u003eReferÃªncias: \u003cbr\u003eMacau Antigo, JoÃ£o Botas: Notas sobre a vida de JosÃ© Vicente Jorge, 2012. \u003cbr\u003eJornal Tribuna de Macau, AntÃ³nio Aresta, 2019. \u003cbr\u003eJornal Tribuna de Macau, 16 MarÃ§o 2016, Resumo da entrevista na RÃ¡dio Macau dos netos de JosÃ© Jorge. \u003cbr\u003eMacau Antigo, JoÃ£o Botas, 2012. \u003cbr\u003eRenascimento, N.Âº 2, Maio 1943, pp. 485-490.\u003c\/p\u003e","brand":"Garimpo dos Livros","offers":[{"title":"Default Title","offer_id":58294526673228,"sku":"2607RS004","price":1800.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1066\/5617\/0316\/files\/2607RS004_1.jpg?v=1785843784","url":"https:\/\/garimpodoslivros.com.br\/products\/notas-sa-bre-a-arte-chinesa","provider":"Garimpo dos Livros","version":"1.0","type":"link"}